Unveiling Quebec's Impressionist Treasures
September 27, 2024
Jason Scott, Founder & Curator, Canadian Art Daily
From the moment I picked up "River of Dreams: Impressionism On The St. Lawrence" by Anne-Marie Bouchard and Sarah Milroy, published by Goose Lane Editions with McMichael Canadian Art Collection, I felt like I was stepping into a beautifully crafted narrative of Quebec’s artistic history. This is more than a collection of images; it's a captivating journey through time, masterfully illustrated by some of Canada's most talented artists.
As I flipped through the 256 pages, over 175 stunning full-color images transported me to the picturesque landscapes of the St. Lawrence River. I could almost hear the bustling ports, see the serene villages, and feel the lush natural beauty that has inspired artists for generations. The works of Clarence Gagnon, Henrietta Mabel May, James Wilson Morrice, and Marc-Aurèle de Foy Suzor-Coté vividly came to life, each piece telling its own unique story of a Quebec poised on the brink of industrial and social transformation. The blend of progress and tradition in their art is both captivating and thought-provoking.
Maurice Cullen and Robert Pilot's works particularly struck a chord with me. Their ability to capture the ethereal beauty and ever-changing moods of Quebec's landscape is nothing short of transformative. Cullen's masterful use of light and Pilot's evocative depictions of the St. Lawrence River pulled me directly into the scenes they portrayed. I could almost feel the crisp winter air and the gentle summer breeze they painted. These artists didn’t just depict landscapes; they created deep emotional connections, shaping my perception of Quebec's landscapes and embedding its cultural essence into my heart.
Anne-Marie Bouchard’s lead essay is an absolute standout. Her curatorial expertise shines through, and the contributions from notable artists, curators, and scholars add layers of depth to the narrative. These essays are not only informative but also deeply engaging, making me feel like I was part of a rich, multi-faceted exploration of Quebec Impressionism. I found myself getting lost in the stories, gaining a newfound appreciation for the artistic and historical significance of this movement.
Visually, the book is a pure delight. Each page felt like a treasure trove, offering high-quality reproductions not just of paintings but also textiles, pottery, Indigenous trade goods, and archival photographs. These aren’t just illustrations; they’re vivid portals into the past, drawing me deeper into the Quebecois artistic heritage.
The historical context of the St. Lawrence River region adds another layer of enchantment. The book beautifully captures how the scenic grandeur of places like La Malbaie, Métis, Tadoussac, and Cacouna has enchanted artists and elite summer residents for over 150 years. Maurice Cullen and Robert Pilot's works stand out, exuding brilliance and capturing the timeless beauty of the region.
One of the most fascinating parts of the book is its inclusivity of lesser-known artists like Alice Des Clayes and Albert Robinson. Discovering their contributions added fresh perspectives and broadened my understanding of the Quebec Impressionist scene. These artists' works enrich the narrative, offering fresh discoveries and making this book an even more valuable resource for anyone passionate about art.
Published on July 16, 2024, this work stands as a testament to the remarkable efforts of Bouchard and Milroy, bolstered by the McMichael Canadian Art Collection team. Their collaboration with the Musée national des beaux-arts du Québec has culminated in a truly comprehensive collection. Priced at $55, this beautiful book is a must-have for both art aficionados and history buffs.