The Art of Storytelling: Capturing Canadian Narratives with a Paintbrush

October 14th, 2024 - Jason Scott, Founder & Curator, Canadian Art Daily 

Antony Martin John, "March Thaw", 2014, acrylic on masonite, 32.5" x 45.75".  Photo: www.anthonyjohn.ca

Art has an extraordinary way of drawing us into its narrative, inviting us to experience lives and emotions far removed from our own. I found myself deeply immersed in such a journey when I first laid eyes on Antony Martin John's evocative painting, "March Thaw” (above). This piece, with its haunting portrayal of a fog-draped barn and crimson rain streaks on its aged facade, encapsulates the stark realities of farm life—a world that, for many city dwellers, remains a distant reality.

As you gaze upon "March Thaw," take a moment to immerse yourself in its details. What do you truly see? At first glance, the red barn stands out starkly against the serene backdrop of a snow-covered field. The interplay of light and shadow adds depth, while the darkened window invites curiosity. But look closer. Did you notice the shape subtly etched in the snow? This is no ordinary landscape—it's a narrative waiting to unfold.

This seemingly minor detail had a profound impact on me, as it revealed the traces of a calf that had been unable to endure the harsh winter conditions on the farm. Antony describes this haunting silhouette as a "snow angel," symbolizing the cyclical nature of life and death on the farm. As a farmer himself, he emphasises it as a stark reminder of the relentless challenges endured by those nurturing life in Canada's unforgiving rural landscape. This image is meant to evoke deep empathy and reflection, urging us to contemplate the profound emotional bonds farmers form with the animals under their care.

Reflecting on "March Thaw," I recognized how art intricately weaves stories and stirs profound emotions, transporting us to unfamiliar realms and experiences. This revelation highlighted that art transcends mere visual perception; it crafts narratives that invite us to explore diverse viewpoints and deepen our understanding of the world. With this perspective, I turned to another of Antony Martin John's captivating pieces, "Church and Vultures," a painting that enchants with its poignant and evocative imagery.

Antony Martin John

Antony Martin John, "Church and Vultures", 2021, acrylic on masonite, 39" x 24", Private collection.

This artwork invites us into a scene where a dilapidated church stands isolated in a desolate landscape, echoing an era long past its prime. The church, with its weather-beaten steeple shutters, is more than just a structural ruin; it symbolically represents the Catholic Church's historical tendency to conceal grave truths, such as the recent and deeply distressing uncovering of mass graves of indigenous children in Canada. This revelation weighs heavily, prompting us to reflect on the shadows of history.

Above this scene, vultures hover with an ominous grace, inviting a reinterpretation of their traditional role. Rather than harbingers of doom, Antony casts these creatures as nature's unsung heroes—its meticulous clean-up crew, purging decay, and maintaining ecological balance. With their dark feathers resembling 'robes' and their contrasting white necks akin to 'collars,' the vultures take on an almost priestly countenance, symbolizing purity and duty in stark contrast to the Church's checkered history.

This intricate piece encourages a dialogue on complex themes such as mortality, accountability, and the necessity of confronting historical injustices. By reimagining the vulture's role, Antony not only redeems their maligned image but also juxtaposes their dignity with the Church's tainted legacy. In doing so, his painting transcends its visual allure, urging viewers to question and contemplate the narratives we've inherited. It is a work that resonates profoundly, compelling us to look beyond the surface and engage with the layers of truth and myth intertwined in our collective consciousness.

Further Examples of Canadian Artists with Compelling Narratives in Their Artwork:

This sparked my curiosity about how Canadian artists weave narratives through their art. Some brilliantly capture the rugged, majestic landscapes, showcasing the country's breathtaking natural beauty. Others explore the vibrant life and culture of bustling cities, painting scenes that evoke energy and diversity. Canadian artists also use their art to tell stories that reflect our diverse cultural heritage. Some depict traditional Inuit ways of life through vibrant and intricate prints, while others challenge colonial narratives with provocative and thought-provoking works.

Let's delve into a few more examples:

Alex Colville

Alex Colville, Horse and Train, 1954, Casein tempera on hardboard, 41.2 x 54.2 cm, Art Gallery of Hamilton

Alex Colville (1920–2013) grew up in Nova Scotia, and you can really see how those stark landscapes shaped his artistic vision. His artwork is all about meticulous detail and a haunting sense of realism, often diving into themes like tension, isolation, and the human condition. Colville's unique style mixes precision with deep storytelling, making him a key player in modern art. But his influence isn't just about the visuals; he's known for evoking complex emotions and philosophical thoughts through scenes that might seem simple at first glance.

In 'Horse and Train,' Colville really shows off his storytelling and use of symbolism. This famous painting grabs your attention with its bold, dynamic scene of a horse charging straight at an oncoming train. The whole thing is packed with tension and drama, inviting all sorts of interpretations that add layers to Colville's narrative.

At its core, this painting explores the clash between nature and technology. Imagine a horse, symbolizing instinct, freedom, and nature's raw vitality, charging straight into a train, representing industrial progress and the unyielding march of time. This powerful contrast highlights the ongoing struggle between these forces and makes us think about how our technological advancements affect the environment. It asks us: Is our pursuit of progress taking us away from life's basic elements and into a world dominated by control and machines?

The painting dives into captivating themes of fate and choice. It makes you feel like you’re standing right on the tracks, about to witness an impending collision. This scene gets you thinking: is the horse choosing its path, or is it just fate? It raises big questions about our own lives too—are we really steering our destinies, or are we just heading toward forces we can’t control?

Created in the mid-20th century, 'Horse and Train' really captures the anxieties of a time when things were changing fast with technology and there was a lot of post-war uncertainty. The imagery speaks to confrontation and possible destruction, echoing the societal tensions of the Cold War—a period when technological advancements were both promising and scary. This historical backdrop adds depth to the painting's story, making it a vivid reflection on how progress can be both transformative and sometimes destructive.

People often have personal interpretations of this piece that really stir up emotions. The horse's determined gallop comes across as a powerful symbol of courage and resilience, bravely taking on the overwhelming force of the train. This adds an emotional layer to the painting's story, making it a reflective mirror of our own struggles and triumphs against life's relentless challenges.

Ultimately, Colville's 'Horse and Train' invites viewers to engage with its themes on multiple levels, from the metaphorical and philosophical to the personal and historical. Its narrative is timeless, resonating with anyone who has faced the tension between freedom and control, choice and inevitability. Through this powerful artwork, Colville transforms art into a dialogue with the human experience, inviting us to explore the profound stories that lie just beneath the surface.

For further insight into his work, visit our online bookstore to pick up a copy of the book "Colville" by Andrew Hunter.

Kent Monkman

Kent Monkman, The Scream, 2017, acrylic on canvas, 84” x 126”.  Collection of the Denver Art Museum

Kent Monkman's (b. 1965) painting "The Scream" poignantly addresses the historical trauma Indigenous communities faced due to the forced removal of children. This powerful artwork captures a significant and painful chapter in history, where numerous Indigenous children were taken from their homes and sent to residential schools as part of assimilation policies. Monkman, a renowned Cree artist and Two-Spirit individual, uses his art to challenge colonial narratives that sought to erase Indigenous identities.

The painting vividly shows authorities separating children from their families, capturing the chaos and emotional turmoil. Their agonizing expressions and desperate gestures convey the heartbreaking impact of this forced separation. These assimilation policies disrupted cultural connections, language, and traditions, leaving deep scars within Indigenous communities that persist today. Through "The Scream," Monkman highlights the immense pain and devastation inflicted by these policies while emphasizing the resilience and strength of those who endured such hardship. The piece is a powerful reminder of the need to acknowledge this painful history and the imperative for healing and reconciliation. Monkman's work honors the memories of those affected and invites viewers to reflect on the journey toward justice and understanding for Indigenous peoples.

Monkman's artistic practice includes large-scale paintings, films, and installations exploring themes of colonization, sexuality, and loss, while celebrating Indigenous culture and resilience. His work has been exhibited internationally, earning acclaim for blending traditional and contemporary art practices into compelling narratives.

Visit our online bookstore and pick up "Kent Monkman: Life & Work" or "The Memoirs of: Miss Chief Eagle Testickle (Vol. One)" to delve deeper into his powerful storytelling.

Frederick H. Varley

Frederick H. Varley, Immigrants, c. 1922, oil on canvas, The Thomson Collection at the Art Gallery of Ontario, Toronto

Frederick Varley (1881–1969), a member of the Canadian Group of Seven, was known for his intricate and detailed landscape paintings. Born in Sheffield, England, in 1881, Varley immigrated to Canada in 1912 and quickly established himself as one of the leading figures in the country's art scene.

The Impressionist and Post-Impressionist movements in Europe, along with traditional Japanese art, heavily influenced Varley. His unique style blended these influences with his own personal touch, creating stunning works that captured the beauty and essence of Canada.

One of Varley's most famous paintings is "Immigrants," which vividly captures the experience of newcomers arriving in Canada. This artwork is a testament to Varley's keen eye for detail and his profound ability to convey the emotions of his subjects. Through "Immigrants," Varley offers a narrative that delves deep into the struggles and triumphs of those embarking on a new journey in an unfamiliar land.

The painting portrays the mixed emotions of hope and uncertainty that immigrants often face. The expressions and postures of the individuals in the artwork speak volumes, reflecting the anticipation and anxiety that accompany such a life-altering move. Varley's use of color and composition further enhances the narrative, drawing the viewer into the scene and inviting them to empathize with the subjects’ experiences.

By focusing on this poignant moment of arrival, Varley highlights the universal themes of perseverance and resilience. The painting serves as a powerful reminder of the courage required to leave one's homeland in search of a better future. Through "Immigrants," Varley not only tells the story of those depicted but also honors the contributions and sacrifices of immigrants throughout history.

In this piece, Varley not only documents a significant moment in time but also creates a narrative that resonates with viewers on an emotional level, transcending cultural and temporal boundaries. His portrayal of the immigrant experience remains relevant today, continuing to inspire reflection and dialogue about the journeys of those who seek new beginnings. To delve deeper into his work, visit our online bookstore and purchase "The Group of Seven and Tom Thomson" by David P. Silcox.

Peter Cheung

Peter Cheung. "The Day the Guns Fell Silent,” oil on canvas, 11" x 14"

Born in Hong Kong, Canadian artist Peter Cheung (b. 1952) moved to Canada in the late 1970s. Having begun his artistic journey at an early age under the tutelage of a distinguished Chinese painting master, Peter refined his skills in ink and water techniques. Over time, Peter skillfully blended the dynamic and powerful brushwork of Chinese painting into his Western oil and watercolor creations. From his studio in Burlington, Ontario, he crafts pieces that exude energy, vitality, and movement.

Peter has been recognized with numerous awards, including the Award of Excellence at Canadian Art Daily’s 2024 “Northern Visions” Exhibition and Sale. His work is showcased in several Canadian galleries, and can be found in many private and corporate collections.

His painting, "The Day the Guns Fell Silent," captivates viewers with its emotional portrayal of a Canadian soldier consumed by sorrow after the war. The vivid colors and bold brushstrokes draw out deep feelings, pulling you into his world. You feel the sense of loss for those who didn't survive and the yearning for peace. You can almost smell the gunpowder and hear the echoes of explosions, sensing the relief the soldier must have experienced when the shooting ceased. This piece makes you reflect on the impact of conflict and the desire for peace, leaving a lasting impression.

The artwork doesn't just show the aftermath of war; it dives into the mental struggles haunting the soldier. His mind is filled with memories of battles, a constant reminder of everything he's been through. These inner battles turn into PTSD, a silent shadow he carries even when the guns are silent. Everyday sights or sounds can trigger vivid flashbacks, forcing him to relive chaotic moments. The painting highlights these invisible wounds, reminding us that mental struggles persist long after the war is over.

Edith LeBeau

Edith LeBeau, "La Madonne Infertile", 2018, acrylic on wood, 11" x 14"

Edith LeBeau, a captivating Canadian artist from Beloeil, Quebec, has mesmerized the art world with her enchanting and introspective portraits. Now thriving on the north shore of Montreal, her work delves deep into themes of vulnerability, identity, and the subconscious, showcasing a mastery of detailed and expressive portrayals. Each piece is a mystery, inviting viewers to craft their own stories and dive into the depths of human complexity. LeBeau's art has graced numerous galleries and exhibitions, earning her acclaim for both her unique style and the profound emotions her pieces evoke. She continues to create captivating art that not only draws in audiences but also challenges them to see beyond the surface.

Her painting, "La Madonne Infertile," captivates with its profound exploration of infertility. At first glance, it shows a Madonna-like figure cradling a blanket shaped like a newborn. But look closer: the blanket is empty. Held gently against her chest, the blanket also subtly forms a heart, poignantly embodying her sorrow over the inability to bear a child. The imagery tugs at the heartstrings, drawing viewers into the depth of her emotion.

LeBeau's masterful use of color and texture brings a profound emotional depth to the piece. The blue hues enveloping the empty blanket and background evoke a sense of sadness and longing, while the figure in a striking red gown pops vividly against the cool blues, creating a captivating contrast and tension. A radiant golden halo encircles her head, elevating her to an ethereal realm, embodying the profound hope and deep longing for motherhood.

LeBeau's intricate details and symbolism invite viewers to reflect on their personal journeys with infertility or empathize with those who have faced it. Her work vividly captures the internal struggle and pain many women endure while trying to conceive. This piece is a powerful reminder of art's ability to evoke deep emotions and connect us through shared experiences, transcending individual stories and weaving a tapestry of collective resilience and understanding.

Robert Harris

Harris, Robert, 'A Meeting of the School Trustees', 1885,  oil on canvas, 102.2 x 126.5 cm.  Collection of the National Gallery of Canada.

Robert Harris (1849–1919), born in Bryn y Pîn, Caerhun, Wales, is a prominent figure in Canadian art. Renowned for his portraits and genre paintings, Harris adeptly captured the essence of Canadian life, providing both aesthetic and historical richness. His legacy is celebrated for its narrative depth and cultural significance.

In his painting 'A Meeting of School Trustees,' Harris weaves a story that's more than just a school meeting scene. It's a lively snapshot of how society was changing in late 19th century Canada, especially with women taking on roles usually held by men. Harris does an amazing job highlighting this shift.

At the heart of the painting, you’ll find Kate Henderson, a determined teacher confidently talking to a group of male trustees. Her poised and assertive stance is a powerful symbol of the move toward gender equality. As she engages with the trustees, Harris highlights the clash between traditional gender roles and the growing impact of women in decision-making spaces. The story comes to life through the characters' expressions and interactions, showing the underlying conflicts and shifts in society.

The setting—a simple classroom—brings extra depth to the narrative. You can see the trustees’ different reactions to Henderson, ranging from doubt to deep thought, which really shows the clash between old customs and new societal changes. Harris uses these details to engage us in a conversation about change, resilience, and the ongoing journey toward equality.

Additionally, the painting really brings the women's suffrage movement to life, capturing the powerful momentum it had back then. As they pushed for voting rights and better educational and economic opportunities, this movement found a strong voice in Harris's work. The painting's true power comes from not just its historical accuracy but its amazing ability to tell a story of change and resilience.

'A Meeting of School Trustees' is more than a historical snapshot; it highlights the evolving Canadian society and the crucial role women played in driving social progress. Harris inspires us to reflect on the enduring strength and courage of those who championed gender equality, making it a powerful narrative of societal change. For more insights, check out this video by National Gallery of Canada educator Béatrice Djahanbin

Annie Pootoogook

Annie Pootoogook, Man Abusing His Partner, 2002, coloured pencil and ink on paper, 51 x 66.5 cm.  Collection of John and Joyce Price

Annie Pootoogook (1969-2016), born in Cape Dorset, Nunavut, was a celebrated Inuit artist. Coming from a family of artists, she started drawing at a young age. Her art stood out with its bold lines and vibrant colors, and she focused on themes like identity, culture, and representation. She gave a modern twist to Inuit life by putting her subjects in today’s settings. Pootoogook's unique style gained her international recognition and made her the first Inuit artist to win the Sobey Art Award in 2006. Her influence continues to highlight the resilience of Inuit culture even after her passing in 2016 at 47.

One striking example of her narrative style is in her piece “Man Abusing His Partner.” This artwork tells a powerful, complex story with raw honesty. Using her signature style, she portrays domestic violence—a tough but real issue in Inuit communities. By illustrating such scenes, Pootoogook pushes us to face uncomfortable realities and think about broader social issues. Her modern settings mix traditional narratives with today’s challenges, challenging the often romanticized views of Indigenous cultures by showing struggle and adversity.

Through her art, Pootoogook sparks conversations about tackling domestic violence and encouraging change in Inuit communities and beyond. Her work is both a personal story and a social critique, giving a voice to those facing similar struggles and showcasing the strength and spirit of her people. Her narrative approach invites us to better understand Inuit experiences, breaking away from traditional boundaries and prompting us to reflect critically.

Ultimately, Pootoogook's artwork serves as a powerful vehicle for social change, promoting empathy, understanding, and action. By shedding light on important issues within Indigenous communities, she invites viewers to engage in critical conversations and work towards a more equitable future. Through her unique perspective and artistic talent, Annie Pootoogook continues to make a profound impact on the art world and beyond. To learn more about her life and incredible contributions, I suggest watching this insightful video.

In Conclusion

Exploring the intricate stories woven into Canadian art, I find it amazing how these works can evoke such deep emotions and highlight societal changes. It’s clear to me that art goes beyond just being visually pleasing; it offers a glimpse into the human experience, pushing us to think about identity, resilience, and cultural transformation. Through the vivid storytelling in their creations, artists bring to life the societal shifts and personal struggles that define our shared heritage. These stories don't just capture history—they also have the power to influence societal change, showing how art connects us across time and space. As I celebrate these narratives, I appreciate the artistic vision that continues to shape our cultural and historical landscape, ensuring that their stories remain vital to our understanding of the world.

I'd love to hear your thoughts in the comments. What are some of your favorite pieces of art that tell compelling stories, and why do they resonate with you?

How the Toronto Biennial is Propelling Canadian Art Onto the World Stage

Sandra Brewster at The Auto Building (photo: Toronto Biennial of Art)

September 22, 2024

Jason Scott, Founder & Curator, Canadian Art Daily

The Toronto Biennial of Art has been a captivating presence since its debut in 2019, transforming the city into a dynamic showcase for thought-provoking art. Each corner of Toronto becomes a canvas, inviting both residents and visitors to experience creativity on a grand scale. The 2024 edition, running from September 21st to December 1st, promises to be even more exciting, featuring a diverse lineup of international and local artists, new interactive installations, and innovative public programs to engage the community. Attendees can look forward to a celebration of artistic expression that challenges and inspires.

Why the Toronto Biennial of Art Matters

The Toronto Biennial of Art is transforming how the world views our Canadian artists, pushing them into the global spotlight like never before. This remarkable event not only elevates the international exposure of our artists but also draws in art enthusiasts from across the globe who might otherwise miss the vibrant and diverse cultural tapestry that Canada offers. By fostering global collaborations, the Biennial encourages artists and curators worldwide to engage with our creative talents, breaking cultural barriers and enriching the international art dialogue. This is not just an art exhibition; it's a celebration of our identity and innovation. The Biennial bolsters Canada's reputation as a creative powerhouse, making it an essential cornerstone for the growth and recognition of our artists.

Why I’m Impressed by This Event

I love the Toronto Biennial of Art because it’s not just an exhibition; it’s a key cultural event that brings communities together and promotes understanding. In a city as vibrant and diverse as Canada's largest city, the Biennial offers a stage for artists from various backgrounds to share their stories, adding depth to our cultural conversations. It's a place where ideas and creativity come together, inviting us to see the world from new perspectives.

What I love is how the Biennial supports artists by giving them global exposure, helping them connect with international audiences and networks. This can be a big boost for their careers and artistic development, which enriches the broader art community.

For visitors like myself, the Biennial invites us to dive deeper into contemporary art. It encourages us to think critically about art's role in society and its capacity to address important social issues. By making art accessible to everyone, it enhances Toronto's cultural scene and helps build a more informed community.

This year's theme, "Precarious Joys," really resonates with me as it explores the mix of vulnerability and passion and their impact on social change. Curators Dominique Fontaine and Miguel A. López have crafted meaningful dialogues with artists worldwide, leading to works that reflect the complexities of our city and beyond.

Justine Chambers at 32 Lisgar (photo: Toronto Biennial of Art)

Spotlight on Canadian Visionaries

Let's take a closer look at some of the standout Canadian artists featured this year:

Karen Tam at 32 Lisgar (photo: Toronto Biennial of Art)

• Justine A. Chambers: Known for her innovative approach to choreography, Justine A. Chambers explores the nuances of movement and its impact on space and community. Her work often focuses on the subtleties of human interaction and the unspoken gestures that connect us.

  Karen Tam: Karen Tam's art delves into cultural identity and the diasporic experience. Through her immersive installations, she recreates spaces that reflect the blending and clashing of cultures, inviting viewers to ponder the complexities of heritage and belonging.

  Maria Hupfield: Maria Hupfield brings to the forefront themes of indigenous identity and resilience. Her multimedia work, often incorporating felt and textile, is a testament to the strength and creativity inherent in indigenous communities, challenging stereotypes and celebrating heritage.

  Sameer Farooq: As an interdisciplinary artist, Sameer Farooq uses photography, sculpture, and installation to question institutional practices and the narratives that museums and archives tend to preserve. His work encourages us to reconsider whose stories are being told and remembered.

  Sandra Brewster: Sandra Brewster's art is a poignant exploration of identity, particularly within the Caribbean diaspora. Her practice often includes photo-based works and installations that engage with themes of memory and belonging, reflecting on the transient nature of home and self.

  Stina Baudin: Known for her compelling visual narratives, Stina Baudin’s work often blurs the lines between reality and imagination. By leveraging a mix of media, she explores themes of personal and collective identity.

Key Locations of the Biennial

Map: Toronto Biennial of Art

Between September 21 and December 1, 2024, the Toronto Biennial of Art will unfold across eleven venues, offering ten weeks of free contemporary art exhibitions and public programs curated by Jenn Goodwin and Mary Kim. These programs feature performances, workshops, and educational experiences designed to engage and inspire visitors of all ages.

The Biennial enriches Toronto's cultural landscape with vibrant exhibitions at various iconic venues throughout the city. At its core is the Art Gallery of Ontario (AGO), providing a grand space for large-scale installations and thought-provoking works. Collision Gallery serves as a dynamic setting, showcasing innovative pieces in a central urban environment. The Power Plant Art Gallery is celebrated for its cutting-edge contemporary art exhibitions, making it a key destination. Unique platforms such as Toronto Union Station and Toronto Pearson International Airport offer contrasting experiences; Union Station's historical architecture beautifully complements modern art installations, while Pearson's international hub status reaches thousands of daily visitors. Trinity Bellwoods Park, a cherished outdoor venue, is perfect for open-air artworks, and the Small Arms Inspection Building provides a historical backdrop for diverse exhibitions. Additional venues include 72 Perth Avenue, 158 Sterling Road, Galleria On The Park, and Colborne Lodge, each contributing to the Biennial's narrative and ensuring a richly varied experience for viewers.

Visit the exhibition’s website to explore the venues and find a detailed map.

Maria Ezcurra at Lisgar Park (photo: Toronto Biennial of Art)

Exploring Canadian Diversity Through Art: Join the Conversation!

What are your thoughts on how the Toronto Biennial of Art highlights the stories and contributions of Canada's diverse communities?

We’d love to hear from you—share your insights in the comments below! Discover the rich and diverse world of Canadian art by visiting our website. Delve into insightful articles, artist interviews, and galleries showcasing the best of Canada's creative talent. Stay inspired by following us on Instagram and Facebook, where we share daily doses of artistic brilliance and behind-the-scenes glimpses into the vibrant Canadian art community. Plus, sign up for our newsletter to receive exclusive updates and insights directly to your inbox. Join us in celebrating the creativity and culture that define our artistic landscape. Don’t miss out on the opportunity to connect with a community that loves and lives art.

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